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Views Downloads 42 File size KB. After Effects Shortcuts will speed up the motion graphics workflow in a big way. There is a no better option to speed up. All rights reserved. If this guide is distributed with software that includes an end user agreement, this guide, as well as the software described in it, is adter under license and may be used or copied only in accordance with the terms of such license.

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Government end users a only as Commercial Items and b with only those rights as are granted to all other end users pursuant to the terms and conditions herein. Unpublishedrights reserved under the copyright laws cclassroom the United States. For U. Government End Users, Adobe agrees to comply with all applicable equal opportunity laws including, if appropriate, the provisions of Executive Orderas biok, Section of the Vietnam Era Veterans Readjustment Assistance Act of 38 USCadobe after effects cc classroom in a book (2015 release) pdf free Section of the Rehabilitation Act ofas amended, and the regulations at 41 CFR Parts through, pdff The affirmative action clause and regulations contained in the preceding sentence shall be incorporated by reference.

For the latest on Adobe Press books, go to www. Aftter information is organized to follow the sequence of instruction in each lesson. The book contains 14 lessons, some of which may take a while to complete. If you are teaching a session class, you may want to combine some of the lessons in a single class.

For example, Lessons 1 and 2 cover the basic workflow and most fundamental tasks in After Effects. Having students keep all classroon working files in their own Lessons folder makes it easier for you to clean up files when a class is over.

Lesson 1: Getting to Know the Workflow Lesson 1 uses a sample project to provide an overview of ni typical After Effects workflow, from creating a project to importing iin, creating a composition, applying effects, and outputting content.

About the user interface Adobe video and audio applications provide a consistent, customizable workspace. Although fefects application has its own set нажмите чтобы узнать больше panels such as Tools, Properties, Timeline, and so onyou move and group panels on your computer screen in the same way across products. The main window of a program is the application window.

Panels are organized in this window in an arrangement called a workspace. You customize a workspace by arranging the panels—usually by dragging them— into the layout that best suits your style of working. You can create and save several custom workspaces for different tasks—for example, one for editing and one for previewing. You can drag panels to new locations, move panels into or out of a group or stack, place panels alongside each other, and undock аналог microsoft word 2016 find and replace free download думаю panel so that it floats ffree a new window in front of the application window.

As you rearrange panels, the other panels resize automatically to releaee) the window. You can use floating windows to create a customized workspace, and can place panels on multiple monitors.

Stacked panels are new in this release of After Effects. Students may be familiar with stacked panels in Adobe Lightroom. The Standard workspace includes grouped panels; to point out the differences between stacked and grouped panels, you can have the students move between the workspaces.

The exercises in this lesson and all folloowing lessons assume students have discarded application preferences and thus are using the default workspace, Essentials, which includes stacked panels.

Finding missing dependencies In After Effects CC, you can quickly find missing fonts, effects, or footage files. Emphasize that After Effects does not store здесь original classrooom files within your project file; it links to the files it needs.

You can use (015 same method to find missing fonts and effects, too. For instance, you can scroll in the Composition panel even if the Effect Controls panel is currently active. When you adobe after effects cc classroom in a book (2015 release) pdf free the Timeline panel, rolling backward moves you forward in time and vice versa. Previewing compositions Remind your students to have patience when they preview a composition.

The status bar appears as After Effects renders the frames, caching them in RAM; during this time, the preview may not play in real-time. Once all the frames have been rendered q cached, the preview plays in real-time. Remember that you can preview for a small portion of the project by adjusting the work area in the Timeline panel. Answers 1 To reease) a footage item to a composition, drag it from the Project panel to the Timeline panel, positioning it where you want rffects to appear in the layer stack.

Lesson 2 explores how to create a composition using some of these presets. These notes provide additional background about animation presets. About animation presets Animation presets let you save and re,ease) specific configurations of properties and animations, including keyframes, effects, and expressions. After Effects includes hundreds of animation presets that you can drop into your projects and then modify to suit your needs.

You can apply an entire animation preset to a layer, or you can apply a single effect or property from an animation preset. If a property or effect exists in the animation preset but not in the target layer, the property or effrcts is added to the target layer.

You can save one or more properties with all of the desired settings to an animation preset without including keyframes. A particularly convenient dc of animation presets is behaviors, which you can use to quickly and easily animate without keyframes. Animation presets can be classrooj as FFX files and transferred effectts one computer to another. Effedts default, hook presets are stored in the Presets directory. For additional information, see Cd Effects Help.

Saving animation presets You can save settings of one or more effects as an animation preset. Saving an effect as relase) animation preset effeects saves any set keyframes, as well as expressions used in the effect. For example, if you created an explosion using several effects with больше информации parameter and animation settings within those effects, you can save all those settings as a adobe after effects cc classroom in a book (2015 release) pdf free animation preset.

Adobe after effects cc classroom in a book (2015 release) pdf free can then apply that animation preset to any other footage, or you can нажмите чтобы прочитать больше any single effect from that animation preset to any footage. The 20 most recently saved or applied animation presets appear under Recent Animation Presets in the Animation menu. The Animation Presets menu in the Effect Controls panel lists only those animation presets effectz contain the current effect.

For example, if the Mirror effect is selected, the menu shows only those presets that include the Adobe after effects cc classroom in a book (2015 release) pdf free effect. Answers 1 To enlarge or reduce thumbnail previews in the Content panel, drag the thumbnail slider at the bottom of the Adobe Bridge window. Alternatively, you can drag a footgage item onto the Create A New Composition button in the Project panel.

Lesson 3: Animating Text Lesson 3 explores the many text options and text animation features in After Effects. The following material provides additional background on formatting and animating text in After Effects.

About text layers Rlease) After Effects, you can add text to layers reoease) flexibility and precision. Adoobe can create and edit text directly onscreen in the Composition panel, and quickly change the font, style, size, and color of the text. You can apply changes to individual characters and set formatting options for entire paragraphs, including alignment, justification, and word wrapping. In addition to all of these style features, After Effects provides tools for easily animating specific characters and features, such as text opacity and hue.

Most of the projects in Classroom in a Book use fonts that are common to most re,ease), but you can substitute other fonts if you prefer, or if the suggested font is not available on the system. One of the exercises is designed specifically to introduce students to Adobe Typekit, which is included with Adobe Creative Cloud memberships.

The specific font Calluna Sans is less important than the filtering process used to arrive at that font. Fonts synced through Typekit are available in other applications as well. Encourage students to open another application for example, Microsoft Word to confirm that the synced font is available. To apply smart quotes, efefcts Use Smart Quotes from the Character panel menu. Editing text in text layers You can edit text in text layers at any time.

If you set the text to follow a path, designate it as a 3D layer, transform it, or animate it, you delease) still continue to edit it. When the Type tool is selected, move the pointer an I-beam directly over a text layer and click to edit the existing text. Click in another area in the Afher panel to create a new text layer. Frre always creates a new layer. Changing the direction of text The Vertical Type and Horizontal Type tools create text that flows horizontally or vertically.

Horizontal text flows from left to right; multiple lines of horizontal text lie from top to bottom. Vertical text flows from top to bottom; multiple lines of text lie from right to left. When you convert the vertical or horizontal orientation of a text layer, paragraph привожу ссылку justifiable text that wraps within a bounding box behaves differently from point text independent lines of text because paragraph text flows relative to its bounding box while point text lies relative to the Composition panel.

About text animation presets You can browse and apply text animation presets as you would any other animation presets. Some preset animations move the text on, off, or through the composition. The animation preset position values may not be appropriate for a composition that is much larger or smaller than x ; for example, an animation that is supposed to start offscreen may start onscreen.

The Fill And Stroke category of effcets presets contains presets that may change the effecta color and stroke properties of the preset that you apply. If the animation preset на этой странице a stroke or fill color, the animation works only if you have assigned one to your text. Animating text with text animator groups Once you create and никогда adobe dreamweaver cc 2017 wikipedia free download ТОЧНО! your text layers, use text animator groups to quickly and easily create elaborate animations.

A text animator group includes one or more selectors and one or more animator properties.



Adobe after effects cc classroom in a book (2015 release) pdf free – Collection and Use of Information

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Adobe after effects cc classroom in a book (2015 release) pdf free.Adobe After Effects CC Classroom in a Book ( release) [Book]


Sie sind bereits eingeloggt. Klicken Sie auf 2. Lisa Fridsma has long loved the process of teaching others to use Adobe products. She has written, edited, and designed over thirty books in the Classroom in a Book series over the last decade and a half including books on Photoshop and After Effects , going back to her time on-staff at Adobe. It separates leaders from laggards and it drives business disruption, transformation, and reinvention. Meloni, Jennifer Kyrnin. A real-world introduction to advertising design in today’s industry Advertising by Design is the most comprehensive, ….

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By default, if you draw in the Composition panel when a shape layer is selected, you create a new shape within that shape layer, in front of the selected shapes or group of shapes. If you draw in the Composition panel using a shape tool or Pen tool when an image layer other than a shape layer is selected, you create a mask. To create a new shape layer, first press F2 to deselect all layers, and then draw in the Composition panel. A polygon is a star without an Inner Radius or Inner Roundness property, so when you create either a polygon or a star, After Effects calls the shape a polystar.

To change the fill and stroke, select the shape, and change the Fill and Stroke settings in the Tools panel. Each shape tool retains the settings of the most recent drawing operation performed with that tool. For example, if you draw a star and change the number of points to 10, the next star you draw will also have 10 points.

To draw a mask on a shape layer, select a shape or Pen tool, and then click the Tool Creates Mask button in the Tools panel. Then, draw the mask. To scale a circle, ellipse, square, rounded square, rectangle, or rounded rectangle around its center while drawing, hold the Ctrl Windows or Command Mac OS key after you begin dragging.

To cancel the drawing operation, press Escape. To create a shape the size of the layer, select an existing shape layer or deselect all layers to create a new layer, and then double-click a shape tool in the Tools panel. Creating shapes from text characters You can convert individual text characters into shapes. To create shapes for all the characters in a text layer, select the text layer in the Timeline panel or the Composition panel; to create shapes for specific characters, select only those characters in the Composition panel.

The Create Shapes From Text command extracts the outlines for each character, creates shapes from the outlines, and puts the shapes on a new shape layer. You can then use these shapes as you would any other shape. The new shape layer is created at the top of the layer stacking order.

The new layer contains one shape group for each selected character, plus fill and stroke properties that match those of the text. The Video switch for the text layer is turned off. About groups and render order for shapes Though by default a shape consists of a single path, a single stroke, and a single fill— arranged from top to bottom in the Timeline panel—much of the power and flexibility of shape layers arises from your ability to add and reorder shape attributes and create more complex compound shapes.

A group is a collection of shape attributes: paths, fills, strokes, path operations, and other groups. Each group has its own blending mode and its own set of transform properties. By assembling shapes into groups, you can work with multiple shapes simultaneously—such as scaling all shapes in the group by the same amount or applying the same stroke to each shape.

You can even place individual shapes or individual shape attributes within their own groups to isolate transformations. For example, you can scale a path without scaling its stroke by grouping the path by itself.

You can drag groups and attributes to reorder them in the Timeline panel. By reordering and grouping shapes and shape attributes, you can affect their rendering order with respect to other shapes and shape attributes.

Snapping layers When Snapping is selected in the Tools panel, snapping features guide you to position layers in relationship to each other. In the exercise, students duplicate and arrange solid layers to create a checkerboard pattern. The checkerboard exercise is to help students learn to use the snapping feature. However, if students want to create checkerboards for their own projects, point out the Checkerboard effect in After Effects.

Then click the Fill Color box to open the Gradient Editor, and assign colors to the color stops. Lesson 5: Animating a Multimedia Presentation Lesson 5 builds a complex animation involving multiple layers, several types of keyframes, audio, and more. It includes a layered Illustrayor file. These notes provide additional background and teaching material on how After Effects works with Photoshop and Adobe Illustrator files. You can also create a new Photoshop file and add it as the top layer in a composition from within After Effects, or use After Effects to create a new Photoshop file without adding it to a specific composition.

When you import an Illustrator file, After Effects makes all empty areas transparent by converting them into an alpha channel. However, After Effects does not read embedded color profiles from Illustrator files. To ensure color fidelity, assign an input color profile to the Illustrator footage item that matches the color profile with which the Illustrator file was created.

This option, Composition – Retain Layer Sizes, makes it easier to manipulate layers and speeds their rendering time. This option, Composition, is helpful when you need to align layers manually. Preparing layered Photoshop files You can prearrange a composition in Photoshop using layers and preserve those layers in After Effects so that they are ready for animation.

Preserving layers is also useful if you want to use a single Photoshop file as a source for both print and dynamic media. Before you import a layered Photoshop file, prepare it thoroughly to reduce preview and rendering time. Avoid problems importing and updating Photoshop layers by naming them properly. If you change a layer name in a Photoshop file after you have imported it into After Effects, After Effects retains the link to the original layer. However, if you delete a layer, After Effects is unable to find the original layer and lists it as Missing in the Project panel.

Transparency in Photoshop files Photoshop supports a transparent area and alpha channels for each layer. You can use these layer masks to specify how different areas within a layer are hidden or revealed. If you import one layer, After Effects combines the layer mask if present with the transparent area and imports the layer mask as a straight alpha channel.

If you import a layered Photoshop file as a merged file, After Effects merges the transparent areas and layer masks of all the layers into one alpha channel that is premultiplied with white. If the layered Photoshop file contains clipping groups, After Effects imports each clipping group as a composition nested within the main composition. After Effects automatically applies its Preserve Underlying Transparency option to each layer in the clipping-group composition, maintaining transparency settings.

When you import a Photoshop file as a composition, any vector masks convert to After Effects masks. You can then modify and animate these masks within After Effects. After Effects also supports any blending modes applied to the file. Photoshop adjustment layers affect the appearance of all layers below them.

When you import a Photoshop file containing one or more adjustment layers as a composition, After Effects directly converts the Photoshop adjustment layers to After Effects adjustment layers.

Continuously rasterizing an Illustrator file When you import a vector file, After Effects automatically rasterizes it. You can continuously rasterize an Illustrator file or any other vector file at any time while designing your project.

Continuously rasterizing causes After Effects to rasterize the file as needed based on the transformation for each frame. A continuously rasterized file generally produces higher quality results, but it may preview and render more slowly than a rasterized image. When you apply an effect to a continuously rasterized layer, the results may be different than when you apply the effect to a nonrasterized layer. This is because the default rendering order for the layer changes. By default, nonrasterized layers are rendered in the following order: masks, effects, and then geometrics transformations.

The default rendering order for a continuously rasterized layer is masks, geometrics transformations , and then effects. You can change the default rendering order. Make sure to check the results of the effect before continuing to work on your project. Whether or not you continuously rasterize, if you view and render a composition using Best Quality, After Effects anti-aliases smooths the art. For general information about rasterizing, see Illustrator Help.

However, you can apply a paint effect by copying and pasting or using the Favorites menu. You can set the default Artboard Size to match your most frequently used After Effects composition size. In addition, you can customize the contents of any palette. You can use templates to create frequently used documents that differ from your customized new document profile.

Open a template using the same methods you use to open a document. Answers 1 A parenting relationship between layers synchronizes the changes in the parent layer with the corresponding transformation values of the child layers. That is, when you make changes to the parent layer, the child layers also change. Lesson 6: Animating Layers Lesson 6 introduces students to the Layer panel, which they use to remap time, and to the Graph Editor, where they edit Time Remap keyframes.

About the Graph Editor To view and manipulate all aspects of effects and animations, including effect property values, keyframes, and interpolation, use the Graph Editor. The Graph Editor represents changes in effects and animations as a two-dimensional graph, with playback time represented horizontally from left to right.

In layer bar mode, on the other hand, the time graph represents only the horizontal time element, without a visual representation of changing values. There are two types of graphs available in the Graph Editor: value graphs, which show property values; and speed graphs, which show rates of change of property values.

You can view and work on one property at a time, or you can view multiple properties simultaneously. The gray numbers to the right of the Graph Editor indicate the values for the reference graph. Panning and zooming in the Graph Editor To pan vertically or horizontally, drag with the Hand tool. To invoke the Hand tool momentarily, press and hold the spacebar. To pan vertically, spin the mouse scroll wheel.

To pan horizontally, press the Shift key as you spin the mouse scroll wheel. To zoom in, click with the Zoom tool. Auto Zoom Height toggles Auto Zoom Height mode, which automatically scales the height of the graph so that it fits the height of the Graph Editor.

The horizontal zoom must still be adjusted manually. Fit Selection adjusts the value vertical and time horizontal scale of the graph to fit the selected keyframes in the Graph Editor.

Fit All adjusts the value vertical and time horizontal scale of the graph to fit all of the graphs in the Graph Editor. Answers 1 The Solo switch isolates the layer or layers, making other layers inactive.

Soloing layers can speed animating, previewing, and rendering, as well as make it easier to focus on particular layers. You can use it to stretch, shrink, skew, or twist an image, or to simulate perspective or movement that pivots from the edge of a layer, such as a door opening.

They learn to create masks in After Effects using the Pen tool. Students can also use Illustrator to help them create and use masks in After Effects.

Enhancing animation In a video production workflow, Illustrator has much more to offer than a role as a specialized application for still graphics. The pen tool and Bezier paths that are fundamental to drawing in Illustrator are also used in video production applications to control motion paths and timelines.

You can use Illustrator paths not just as source graphics, but also as motion paths in After Effects. You can also use the warping, blending, and layer features in Illustrator to prepare shapes for morphing and tweening. Creating motion paths in Illustrator The path-drawing features in Illustrator are well-suited to any task that involves drawing a path. Motion graphics typically depend on motion paths, and you can draw motion paths more quickly and precisely in Illustrator than you can in After Effects.

In After Effects, you create a motion path by animating the Position property and setting a different position for each keyframe. You then refine the path by dragging handles on the path. As students saw in lesson 5, this method works well for freeform paths, but it can be time-consuming to edit a motion path into a regular shape, such as a perfect circle.

Instead of building a motion path from two original points, in Illustrator, you can draw a path using the tool that most efficiently creates the shape you want. For example, consider animating a layer along a perfect semicircular arc. For a quick alternative, draw the shape you want in Illustrator and copy and paste it into After Effects. The path becomes a motion path, and After Effects adds start and end keyframes to the layer in the Timeline panel. If a motion path was already present, pasting a path replaces the previous motion path.

To change the duration of the animation, drag either keyframe. Answers 1 Add is the default mask mode. It combines the transparency values of any masks that overlap on the same layer. In Lesson 8, students use the Puppet tools to animate a character slipping on a banana peel.

These notes give you additional information about the Puppet tools and other distortion effects. About the Puppet tools Use the Puppet tools to quickly add natural motion to raster images and vector graphics, including still images, shapes, and text characters. Instead, use the Puppet tools in the Tools panel to directly apply and work with the effect in the Layer or Composition panel.

The Puppet effect works by deforming part of an image according to the positions of Deform, Overlap, and Starch pins that you place and move. About the Puppet Pin tool With the Puppet Pin tool, you place and move Deform pins, which determine how much deformation takes place in particular areas of an image. About the Puppet Overlap tool With the Puppet Overlap tool, you place Overlap pins, which determine which parts of an image appear in front of others when distortion causes parts of the image to overlap each other.

You apply Overlap pins to the original outline, not to the deformed image. Each Overlap pin has the following properties: In Front—The apparent proximity to the viewer. The influence of Overlap pins is cumulative, meaning that the In Front values are added together for places on the mesh where extents overlap. Extent—How far from the Overlap pin its influence extends.


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